Dear friends, we hope everyone is faring well in this difficult time!

Today we released a new short work written by our resident trombonist Mickey and soprano saxer Jin. We were commissioned by Snape Maltings’ Aga Serugo Lugo to create the start of a musical chain, composing an opera aria that would be continued by other composers and singers, a musical game of ‘consequences’!

We were paired with the amazing soprano, workshop leader and festival director Lynsey Docherty. Please check out all her brilliant work at www.lynseydocherty.co.uk.

Our aria delves into the subject of social media and the insatiable need to be desired. In true Perhaps Contraption fashion, Lynsey dives straight into acting the part!

Jin: This has been such an enjoyable distraction from the pandemic. After some deliberation over the topic of the aria, Mickey and myself rehearsed some musical ideas and motifs before composing separately.

Mickey did a fantastic job putting everything together and I thoroughly enjoyed setting his libretto to the solo line and writing the core melody.

There’s an amusing self-referential feeling when writing an aria about the addiction of social media using only social media performance platforms. I love that audiences will feel an awkwardness of “liking” our aria.

Mickey: I can’t say opera has been a big part of my life, but it was enjoyable trying to fit our musical flavours and instrumentation into that world, and an honour to be invited to do so.

It was very difficult to come up with a topic that didn’t feel too direct, but wasn’t ignoring the fact we were going through a worldwide pandemic and massive social change (yes, it feels odd writing that).

Once the topic settled, it was clear that a Reich/Ades/Black Mirror vibe was required and after a fair bit of experimentation (and sonic failures), I hope that some of that social-media-fatigue climate we live in comes across in the music.
Jin did a tremendous job building a melody, writing some cheeky woodwind flourishes (I especially like the one at 1.17) and working with Lynsey (who nailed the part perfectly).
HEY! I’m not going to pretend it was all easy though… it was tricky-to-the-max working with everyone’s different lockdown situations and varying levels of access to recording equipment.


The drums ended up being digital (boo) and not everyone in the band was able to be involved. That’s pandemic-life… BUT those pandemic-acquired music and video production skills sure came in useful. 

Opera: #ForMyFollowers

Aria1: LiveChat

Lastline: You watch, you like

Composed by: Mickey Bones & Jin Theriault of Perhaps Contraption

Soprano: Lynsey Docherty lynseydocherty.co.uk

Music & Vid Prod. @mickeytbones

Musicians: Perhaps Contraption

Catherine Ring – Marimba Letty Stott – French Horn Steph Legg – Tenor Sax Jin Theriault – Flute and Soprano Sax Mickey Bones – PBone (Trombone) Yusuf Narcin – Euphonium and Bass Trombone

A 16 bit megadrive (master system?) inspired animation for the brass-punk freneticism that is;

UP & OUT

hand crafted by our very own Mickey Bones.

*chorus* (sing loudly please)

“And the path is covered densely with thick weed,
but trust I am not driven by my greed.
For every nettle there’s dock leaf,
for all this holly, I see wreaths.”

[youtube g3qKjvlLd6Y]

After months of work behind the scenes, here is our film for Perambulations. It’s not just a video, you can explore the performance and click on performers to see it from their point of view. See it nice and big with all the info you could need on the Perambulations page and take a look at some photos below.

Credits

Perhaps Contraption are:
Charlotte Webber, Deedee Window, Chuckles the Clown, Emily Cunliffe, Felicity Status, Iain Mcdonald, Matt Jolly, Mickey Bones, and Squier Squier

Dancers
Flavia Bertram, Carly Blackburn, Lauren Bridle, Lucy Ridley of the People Pile, Lotan Sapir, Malik Ibheis

Lighting design by Anna Barrett
Director of Photography – Tom Maine
Movement Director – Lotan Sapir
Edited by Matt Jolly
Grip – Martin Tucker
Audio production by Peter Zed
Mixed at the Premises Studios by Peter Zed & Squier Squier.
Additional production assistance by Oliver Barton-Wood and Tom Carmichael.
Mastered at Electric Mastering, London by Guy Davie.

Directed by Squier Squier.

Interactive video concept inspired by Peter Zed.

With thanks to the Musicians Benevolent Fund and for their generous support.

Filmed at The Parabola Arts Centre, Cheltenham, April 2013.

We are extremely chuffed (to say the least) that Perhaps Contraption has been awarded the highest grant possible for the Musicians Benevolent Fund Emerging Excellence Award.

You can read the full press release and see other artists included in the award here…

The award will go towards funding our biggest (and most technically challenging) project ever…

We are making a video for our next single, Perambulations, and the process will be a collaboration with 3 experts of Corporeal Mime, 3 Contemporary Dancers from the People Pile and incredible Lighting Designer Anna Barrett. We are shooting in a state of the art theatre, and the piece will feature lots of intricate choreography and Lighting.

The song itself, is a pumping, relentless monster, that we are itching to unveil. (if you have seen us live recently, you will have heard this thing, nascent and loud).

Rehearsals begin in earnest this weekend, the shoot is looming.

We are very, very excited. More information soon…